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50 States of Talent continues This stop Indiana and Fossil Generation

 

Fossil Gen

 

Hailing from Muncie, Indiana the birthplace of the Garfield comic strip, y’know the fat orange cat who loves lasagna, Fossil Generation is an eclectic pop alternative band.  Fusing many styles but most easily recognized is early 90’s alternative before grunge took over a la  early That Petrol Emotion and Gene Loves Jezebel among other bands of that era that surfed  just under the mainstream radar.

Originally formed in 2010 by Bradley Thomas as support for his project “Bradley Thomas and Friends”.  They toured the midwest,  released 2 ep’s and an album.  Eventually the group decided to change direction and transformed themselves both musically and how they identified themselves. It was here that they decided upon the name Fossil Generation.  All aspects of the songwriting process became everyone’s responsibility.

primitiveThe first release from them as Fossil Generation is titled “Primitive”  Released 2013 available on itunes:https://itunes.apple.com/us/album/primitive/id653283309  Unlike most bands who play around with a lyric and build from there these guys approached even the songwriting process differently, at least this time.  They wrote and solidified the music first and then added the lyrics.  “Primitive” is conceptual at its root.  Knowing this ahead of time helps if you want to follow the relationship between songs.  (some lyrics can be found here: http://www.sonicbids.com/band/fossilgeneration/lyrics/ )  If you aren’t paying much attention to the lyrics and just listening then you will be content with the sound of the guitars and the mini jams that  occur throughout.

However, the songs are relatable on a more human level.  They speak of alienation and remaining true to yourself and not conforming to the masses. This is a mindset that the members (Bradley Thomas, Shawn Ayala, Seth Scales and Ryan Minton) of Fossil Generation have embraced. In their corner of the country they provide a unique sound not conforming to the musical genres of their fellow local musicians/bands.  They chose this path because at the end of the day it is about staying true to oneself and being happy with the music you are creating.

Finding “local” musicians/bands to share is not always an easy task. These guys are definitely worth checking out if the early alternative sound is your thing. Even though that sound has been here before these guys approach it differently, with a modern twist.  If you are local to their corner of the world go see them live.  If you are not so local to the Indiana area then check out their webpage http://www.fossilgeneration.com/  Listing of upcoming shows are here as well as links to any media outlet such as twitter, YouTube, and  facebook  https://www.facebook.com/fossilgeneration and of course there is a link to Itunes where you can purchase “Primitive” https://itunes.apple.com/us/album/primitive/id653283309  and help support the local musician(!!)

Happy Listening

–NotHaydn

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Here comes a N’oreaster……….. Mystics Anonymous

With a N’oreaster on the horizon I thought it might be fitting to go back to the Northeast.  So back to Massachusetts and Mystics Anonymous. Jeff MA

Mystics Anonymous is the recording project of Jeff Steblea.  Formed in 1995 Jeff’s focus was artistic freedom. He released “Mystics Anonymous” in 1998.  However, a solid line up never materialized so with  a little creative thought a light bulb went off and Mystics Anonymous became a recording project as did building his own studio.  It was during this time that Jeff was asked to contribute some original scores for some independent tv/film projects.  The “Brutality of Beauty” was released in summer 2003 as a limited mail order featuring 7 new songs.  He also composed “Middle Distance” for the “Of the Earth” art exhibit at the Artworks Gallery in Connecticut.  That score was released in 2003 and comparisons of his work were made to Brian Eno and David Lynch. Mystics Anonymous was quite active during this time, recording and releasing “Winsted in the Space Room” also in 2004. It featured 14 new songs that leaned towards the more experimental side of Jeff without alienating the listener.

That brings us to present day and Mystics Anonymous’ latest release “Dreaming for Hours” which came out January 2014.  I’ve been listening to this thoroughly over the course of the last few weeks delving into the composition, style, the nuances of the vocals. The first sounds of “Sinner’s Lament” are that of a drum machine spewing a tribal beat that compels you to listen.   Slowly the other instruments/sounds are layered on top of it adding fullness and further drawing you into what’s next. Imagine smoke tendrils as fingers curling in a “come hither” motion. And you do.

In “Wells had it Right” the lyrics are poignant, reflective and present that leads you into “False Voices” which is an instrumental piece. This  experimental instrumental has all the ebb and flow of a tide. A little more than halfway in and you may notice some R2D2 sounds and a vocal sample as it seamlessly transitions into a tribal themed beat again, reminiscent of Meat Beat Manifesto.  The allterna-pop pace picks up again with “Knife Thrower”  The lyrical sarcasm/irony is smart and well done. For some reason “Days” really sticks with me.  Maybe it is because it reminds me of early World Party (All Come True) even be the way the backing vocal comes in and hi-lights the lyric that reminds me of the time I first heard Sinead O’Connor backing Karl Wallinger and World Party on Hawaiian Island World.

Mystics anonymous“Made of the Time” has a heavier sound to the vocal and overall mood of the song.  It reminds me of Low Pop Suicide / Joy Division and how they tended to be a bit darker without being completely dark.
The next few songs “Dreaming Interlude”, “Theme from Night Sweats”, “The Fifth Business”, and “Hours Epilogue” are the more experimental songs on the album. They contain more of an electronic feel and they are a welcome addition. It mixes up the alterna feel of the album and takes it into yet another musical realm. There is no easy classification of this release and I like that.  It has appeal to many in that sense.

Jeff states: “the whole point was to establish a project where nothing is off-limits”.  Well Jeff, mission accomplished.

Check out Mystics Anonymous on their website here:http://mysticsanonymous.com/ or like them on Facebook https://www.facebook.com/pages/Mystics-Anonymous/326367507376859?ref=ts&fref=ts

Listen and download their stuff here :http://mysticsanonymous.bandcamp.com/

 

 

Happy listening

-Not Haydn

 

 

 

 

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50 States of Talent continues…. this stop Virginia with The Velvet Ants

50 States of Talent continues…. this stop Virginia with The Velvet Ants

After a bit of an unplanned absence and the Thanksgiving Holiday I am fully recovered from my tryptophan  overdose.  I hope you are all recovered as well.  Now let’s get back on track with the sharing of undiscovered local bands.

This installment of the 50 States of Talent Series which I began last year as a way to search out local talent from all 50 states in the union finds us in Virginia this week with The Velvet Ants.  No, it isn’t some sort of a bakers concoction or the infamous “cow killer” ant.

The Velvet Ants are a local band from the Fairfax, Virginia area.   Formed in 2006 by Ian Margolycz and Trevor Hart.  In 2007 the band released 2 albums on their label T!LT Records, Lunatic Fame and Pixie Junk.  It was limited to local record shops in the DC area.  In 2009 a re-release of Lunatic Fame was made available to a much larger audience on Zeptune Records while the band took a hiatus.  By 2011 work was begun on new material and a new album “Advantage” was released.  This album was mixed and co-produced by Ken Stringfellow who you may recognize from The Posies. The Velvet Ants kept busy playing many shows in the metro DC area while working on new material.  They released an album of “extras”with the help of Jordan Zadorozny.

Things were good, a loyal following, a steady string of albums and new material yet with all of this local success the band almost fizzled into oblivion. Ian, the only member who wasn’t ready to call it quits was encouraged to “carry on” by Jordan Zadorozny. The result of this encouragement is the third release titled Solt Olio in Fall of 2013. http://velvet-ants.com/album/solt-olio

This is where I stumbled onto the band.  I was immediately drawn in by the opening song “Find You”.  It has a crisp alternative sound that is old school without really being a throwback. The songs are well written and the flow on the album feels very comfortable.  The second song on the album “Cardigan’s Fable” is truer to what you will find on the rest of the album.  The vocals are dreamy and there is a definite ambient vibe going on but not enough to put you into a trance.   There is a nice balance without one sound overpowering the other  The sound is reminiscent of The Posies, Matthew Sweet and The Pixies among others.

The album Solt  Olio provides a a pleasurable listening experience from the first note to the very last. Listening to the songs you can hear how well they are thought out.  There is nothing amateur about this release. It is so well done that you may forget that this is local talent!  The bands current lineup consists of Ian Margolycz on guitar and vocals, Eric Sakmar on bass and Jordan Zadorozny on drums.

The Velvet Ants have a web presence.  They have a few videos of live performances on YouTube, a Facebook page  https://www.facebook.com/velvetants a twitter @VelvetAnts and a webpage http://velvet-ants.com/  You can also find them on Soundcloud and Reverbnation

Check them out at any of the above links but definitely check them out.  You will be easily hooked, I was.

Happy Listening

–NotHaydn

 

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